A giant panda cub falls from the stage while 23 giant pandas born in 2016 seen on a display at the Chengdu Research Base of Giant Panda Breeding in Chengdu, Sichuan province, China, September 29, 2016. (Photo by Rex Features)

Crowds watch surfers as the first big swell of the year arrives in Nazaré, Portugal on October 28, 2015. (Photo by Pedro Miranda/Demotix/Corbis)

General view of Chilean Calbuco volcano from Puerto Montt, located at 1000 km southern Santiago de Chile, Chile, 22 April 2015. Due to the eruption of the volcano with a smoke column 20 km high, authorities declared a red alert and ordered the evacuation of around 1500 inhabitants of Ensenada, Alerce, Colonia Río Sur and Correntoso towns. (Photo by Alex Vidal Brecas/EPA)

Dancers attend a photocall for the new “The One – Grand Show” at Friedrichstadt-Palast in Berlin, Germany September 28, 2016. The show, which features costumes by French fashion designer Jean Paul Gaultier, premieres on 06 October. (Photo by Hannibal Hanschke/Reuters)

Art photography gallery Lumas has opened its doors to “Masterpieces of Fashion Photography” exhibition at its London flagship space, showcasing previously unreleased images by legends such as Horst P. Horst, Edward Steichen, Bert Stern and Arthur Elgort. Here: Darryl Hannah on elephant, 1992. (Photo by Michel Comte/Vogue Archive Collection)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)