Satarupa Chakraborty, 5, dressed as a Kumari, yawns while she is worshipped by a Hindu priest during the religious festival of Durga Puja in Agartala October 2, 2014. (Photo by Jayanta Dey/Reuters)

A Somali Armed Forces member carries her ammunition during fighting between the military and police backed by intelligence forces in the Dayniile district of Mogadishu, Somalia September 16, 2017. (Photo by Feisal Omar/Reuters)

Peacocks are seen covered in bags as a protection of their plume during transportation, in Xiangyang, Hubei province, China April 12, 2017. (Photo by Reuters/Stringer)

A woman offers a prayer at Pashupatinath Temple during the Teej festival in Kathmandu, Nepal September 4, 2016. During this festival, married Hindu women observe day-long fast and pray for a happy married life while those unmarried pray for a good husband. (Photo by Navesh Chitrakar/Reuters)

A Munduruku Indian child is pictured at the Planalto Palace, where a meeting with Minister of the General Secretariat of the Presidency of Brazil Gilberto Carvalho was being held with other Munduruku Indians, in Brasilia, June 4, 2013. President Dilma Rousseff's government sought on Tuesday to defuse mounting conflicts with indigenous groups over its decision to stop setting aside farm land for Indians and plans to build more hydroelectric dams in the Amazon. The government flew 144 Munduruku Indians to Brasilia for talks to end a week-long occupation of the controversial Belo Monte dam on the Xingu river, a huge project aimed at feeding Brazil's fast-growing demand for electricity. (Photo by Ueslei Marcelino/Reuters)

Studio stack: Rabbit? Acanthocinus aedilis, Cerambycidae, A female Timberman (Timbermam perhaps?). Stacked from 216 exposures in Zerene Stacker (PMAX). (Photo by John Hallmén). P.S. All pictures are presented in high resolution.

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.