Students from Glasgow Art School modelling casual clothing and Buchan tartan in the annual Fashion Show for charities. During Rag Week students parade in the city streets wearing costumes designed and made by themselves. (Photo by Haywood Magee/Picture Post/Getty Images). 7th February 1953

Annual celebration of Dinagyang festival of Iloilo, Philippines. (Photo by Raniel Jose Castañeda/Sony World Photography Awards)

Nyah and Thea watch as the top end storms roll in across Nightcliff beach and Jetty in Darwin, Australia on Wednesday, January 17, 2024. (Photo by Neve Brissenden/AAP Image)

A woman leans against the colonnade of the Museum of the Great Patriotic War (also known as the Victory Museum ) – the largest museum of military history in Russia at Poklonnaya Hill in Moscow on August 18, 2023. (Photo by Natalia Kolesnikova/AFP Photo)

A woman made up as a skull participates in Day of the Dead festivities in Mexico City, Thursday, October 27, 2016. The holiday honors the dead as friends and families gather in cemeteries to decorate their loved ones' graves and hold vigil through the night on Nov. 1 and 2. (Photo by Marco Ugarte/AP Photo)

Kyrgyz men on horseback compete during their traditional game of “Oodarysh” during the celebrations of the 90th anniversary formation of the Chui region in the village of Kuntu some 20 kms from Bishkek on May 27, 2016. (Photo by Vyacheslav Oseledko/AFP Photo)

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

A member of an Egungun masquerade group, his identity obscured under his ornate costume in Ouidah, Benin on March 13, 2019. The exclusively male practitioners, found across Yoruba culture, use dance and spinning in the belief that they will summon the spirits of ancestors. (Photo by Massimo Rumi/Barcroft Images)