Alexandra Mazo, 12, with her cellphone on her way down the mountain after finishing school. The remote mountain village of Pueblo Nuevo has been highly affected by the armed conflict and direct combat between the national army and Farc guerrillas due to its strategic location and the intensive production on coca crops on the surrounding hillsides. (Photo by Mads Nissen/Politiken/The Guardian/Panos Pictures/The Nobel Peace Center)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

A dramatic rise in owning exotic pets in China is fuelling global demand for threatened species. The growing trade in alligators, snakes, monkeys, crocodiles and spiders is directly linked to species loss in some of the world’s most threatened ecosystems. Here: A fennec fox (Vulpes zerda) is groomed in a pet store in central Beijing. Native to the Sahara in North Africa, the species became a popular pet after being depicted as a character in Disney’s 2016 animated movie Zootopia. Individuals can cost between $2,000–$3,000. (Photo by Sean Gallagher/The Guardian)

Young women wearing facemasks and traditional costumes of Song dynasty and Tang dynasty are seated on a bench in a park next to the East Lake in Wuhan, in China’s central Hubei province on May 17, 2020. The Guardian picture desk has chosen on December 17, 2020, the AFP photojournalist Hector Retamal as “Agency Photographer of the Year 2020” for his coverage of the novel coronavirus Covid-19 pandemic in Wuhan, China. (Photo by Hector Retamal/AFP Photo)

Elaborately dressed monks costumed as wrathful guardian spirits perform ceremonial dances during the Tenchi Festival on May 25, 2014 in Lo Manthang, Nepal. The Tenchi Festival takes place annually in Lo Manthang, the capital of Upper Mustang and the former Tibetan Kingdom of Lo. Each spring, monks perform ceremonies, rites, and dances during the Tenchi Festival to dispel evils and demons from the former kingdom. (Photo by Taylor Weidman/Getty Images)

“The Tibetan Mastiff also known as Do-khyi (variously translated as “home guard”, “door guard”, “dog which may be tied”, “dog which may be kept”), reflects its use as a guardian of herds, flocks, tents, villages, monasteries, and palaces, much as the old English ban-dog (also meaning tied dog) was a dog tied outside the home as a guardian. However, in nomad camps and in villages, the Do-khyi is traditionally allowed to run loose at night and woe be unto the stranger who walks abroad after dark”. – Wikipedia

Photo: A man displays a Tibetan Mastiff he raised during the Tibetan Mastiff exposition on April 7, 2007 in Langfang of Hebei Province, China. (Photo by China Photos/Getty Images)

Many of the 12 million people who entered the US through New York’s Ellis Island wore traditional dress from their homelands. Here: A Ruthenian woman circa 1906 from the region historically inhabiting the kingdom of the Rus, incorporating parts of modern-day Slavic speaking countries. Her outfit consists of a shirt and underskirt made from linen embroidered with traditional floral-based patterns. (Photo by Augustus Francis Sherman/New York Public Library/The Guardian)

For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)