A Maasai moran athlete has his face smeared with red ocher paint during preparations for the 2016 Maasai Olympics at the Sidai Oleng Wildlife Sanctuary, at the base of Mt. Kilimanjaro, near the Kenya-Tanzania border in Kimana, Kajiado, Kenya December 10, 2016. (Photo by Thomas Mukoya/Reuters)

Brazilian model Izabel Goulart for the screening of the film “Sink Or Swim (Le Grand Bain)” at the 71st Cannes Film Festival, France on May 13, 2018. (Photo by Stephane Mahe/Reuters)

Two men push a classic Messerschmidt KR200 “Kabinenroller” at the 7th Cairo Classic Meet in Cairo, Egypt, 23 March 2019. The exhibition for classic cars is held at the Smart Village in Cairo. The exhibition is held to exchange experiences in how to preserve the old cars, and also for promoting tourism. (Photo by Mohamed Hossam/EPA/EFE)

Models smoke during a break at Sevilla de Boda (Seville Wedding) fashion show in the Andalusian capital of Seville November 27, 2015. (Photo by Marcelo del Pozo/Reuters)

A street cleaner demonstrates his martial arts skills in front of a closed shop near Beijing's Tiananmen Square September 2, 2015 as the capital prepares for tomorrow's parade. (Photo by Damir Sagolj/Reuters)

Miley Cyrus broke onto the scene as “Hannah Montana” in 2006. Since the show ended, she’s been desperate to shed the Disney image, first with “Can’t Be Tamed” in 2010, then with open marijuana use and twerking on Robin Thicke’s crotch in 2013. (Photo by Getty Images)

Young men play basketball on an improvised court wedged between a construction site and the shells of once grand colonial homes in Havana, July 20, 2015. As much as the young in Cuba welcome political opening and economic reform, such changes are unlikely to filter down to their lives anytime soon. (Photo by Meridith Kohut/The New York Times)

The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)