A steam traction engine with a broken rear axle in Pall Mall, London. (Photo by Topical Press Agency/Getty Images). November 1923

A couple is walking hand-held up Kronsberg, just outside Hanover, Germany on April 7, 2020, when the moon rises on the horizon as the so-called supermoon. The moon reaches its perigee, i.e. the point closest to the Earth's orbit, on the night of 7-8 April as a full moon and therefore appears particularly large to the human observer. (Photo by Julian Stratenschulte/dpa via ZUMA Press)

A catholic faithful smeared in burnt oil, takes part in the opening of the ten-day celebration of the Santo Domingo de Guzman festival in Managua, on August 1, 2019. In Central America the black devil, or El Cadejo, is an evil dog-like spirit with glowing red eyes that locals believe eats new born puppies. (Photo by Inti Ocon/AFP Photo)

In this February 22, 2018 photo, a couple looks at a bag made out of Venezuelan Bolivars in La Parada, Colombia, on the border with Venezuela. Each collector item produced by Richard Segovia, sitting at the table, fetches between $10 and $15 – a huge markup from the pennies that bolivars retrieve on Venezuela's black market. (Photo by Fernando Vergara/AP Photo)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Shepherds lead their sheep through the centre of Madrid, Spain, Sunday, October 25, 2015. Shepherds have guided a flock of 2,000 sheep through Madrid streets in defense of ancient grazing, droving and migration rights increasingly threatened by urban sprawl and modern agricultural practices. Tourists and city-dwellers were surprised to see the capital's traffic cut to permit the ovine parade to bleat bells clanking its way past the city's most emblematic locations. (Photo by Daniel Ochoa de Olza/AP Photo)