James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

“The Greek Civil War was fought from 1945 to 1949 between the Greek governmental army, backed by the United Kingdom and United States, and the Democratic Army of Greece (ΔΣΕ) (Greek initials DSE), the military branch of the Greek Communist Party (KKE), backed by Bulgaria, Yugoslavia and Albania. It was the result of a highly polarized struggle between leftists and rightists which started in 1943 and targeted the power vacuum that the German-Italian occupation during World War II had created. One of the first conflicts of the Cold War, according to some analysts it represents the first example of a postwar Western interference in the internal politics of a foreign country, and for others, marked the first serious test of the theory of the so-called Churchill-Stalin percentages agreement. The first signs of the civil war occurred in 1942–1944, during the Occupation”. – Wikipedia

Photo: A Greek commando soldier, wearing a fur-collared jacket supplied by the Americans, waits for a guerrilla target to emerge during the Greek Civil War. (Photo by Bert Hardy/Picture Post/Getty Images). 22nd May 1948

For more than a century, the Barcelona skyline has been graced (or marred, depending on who’s talking) by the spectacle of the Basilica designed by Anton Gaudi, first started in 1882. If you want to know what it’ll look like when finished, don’t fret — 2026 is right around the corner. Or you can watch this video, released last week on YouTube by Basílica de la Sagrada Família and titled simply “2026 We Build Tomorrow,” a 3-D artists’ rendering of the building stages through completion.
(If 144 years sounds like a long time to finish a cathedral, keep in mind that there were decades that they didn’t work on it — and that Notre Dame de Paris took 182 years, although the 13th century Parisians didn’t have diesel-powered industrial cranes.) Now, if only the video could show us what the admission and hours will be in 2026 (and how to avoid the inevitable long lines).

People protect themselves behind a trash can as anti-riot olice fires water cannon to disperse thousands of people demonstrating following the death of Berkin Elvan, a teenage boy wounded in mass anti-government demonstrations last year, on March 11, 2014 near the Middle East Technical University (ODTU) in Ankara. Elvan's story – he spent 269 days in a coma – gripped the nation and became a symbol of the heavy-handed tactics used by police to reign in the biggest demonstrations against Prime Minister Recep Tayyip Erdogan since he came to power in 2003. (Photo by Adem Altan/AFP Photo)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)

The ferocity of crises worldwide is forcing a record number of people to flee their homes, seeking some form of safety within their own country or across international borders. There are 65.3 million displaced people worldwide, including 21.3 million refugees. Most have lost their homes to armed conflict or natural disasters but other factors, such as extreme poverty and climate change, also drive displacement. The International Organisation for Migration commissioned photojournalist Muse Mohammed to document the plight of the displaced. (Photo by Muse Mohammed/IOM)

“The Carnival Triumph finally made port on Thursday night, after what should have been an idyllic four-day cruise turned into a grueling week-long ordeal for more than 3,000 passengers and 1,000 crew. Some kissed the ground as they disembarked the ship, while others swore never to go on another cruise again. Many spoke of the well-documented unsanitary conditions on board the 272-metre Triumph, which lost power in the Gulf of Mexico on Sunday”. – Tom Dart and Adam Gabbatt via Guardian

Photo: Kendall Jenkins of Houston kisses the ground after stepping off the Carnival ship Triumph (Photo by AP Photo)