A man cries in a graveyard during the funeral of Nasser Ali Afglio, a young Libyan rebel killed during battle with government troops loyal to Libyan ruler Moammar Gaddafi April 19, 2011 in Misrata, Libya. The graveyard where Nasser was buried has hundreds of simple concrete graves; many dozens are those that have been killed during the last two months of fighting in the besieged town. Thousands of civilians are trapped in Misrata as fighting continues between Libyan government forces that have surrounded the city and anti-government rebels there. (Photo by Chris Hondros/Getty Images)

A six-year-old acrobat performs on the opening of a tourist festival in Bozhou, Anhui province, China May 3, 2015. (Photo by Reuters/China Daily)

Carlos Melendez prepares to feed his pet squirrel “Colita” in downtown San Salvador January 29, 2015. (Photo by Jose Cabezas/Reuters)

A girl with Russian national flags painted on her cheeks takes part in celebrations marking the first anniversary of Russia's annexation of Crimea, in central Simferopol March 16, 2015. Russia marks one year anniversary of annexation of Ukraine's Crimea peninsula this week. (Photo by Maxim Shemetov/Reuters)

A Palestinian carries an injured person following an Israeli strike, amid the Israel-Hamas conflict, in Beit Lahiya in the northern Gaza Strip on October 30, 2024. (Photo by Reuters/Stringer)

Elementary school children play outside their classrooms as mount Sinabung volcano spews thick volcanic ash in the background on February 10, 2017 in Karo, Indonesia. Mount Sinabung is one of the most active volcanoes in Indonesia and last erupted in May 2016, killing seven people. (Photo by Albert Damanik/Barcroft Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A Swiss police officer accompanies a migrant from Syria carrying her baby, upon her arrival at the railway station in the north-eastern Swiss town of Buchs September 1, 2015. (Photo by Arnd Wiegmann/Reuters)