“After an afternoon of hiking and exploring the caves of Rhossili Bay, West Glamorgan, we caught the sun breaking through the clouds”. (Photo by Megan Warren-Davis/The Guardian)

Taking it all in at Trolltunga, a piece of rock which juts horizontally out of a mountain, 700 metres above lake Ringedalsvatnet in Norway. (Photo by Sam Rogers/GuardianWitness)

Winner. “This was taken in the South Ari Atolls, Maldives, as the south-west monsoon season was setting in. It features my partner – and dive buddy – Emma after surfacing at the end of the last dive of the day to find 1.5 metre swells and dark monsoon clouds. MICK RYAN, JUDGE: This beautiful portrait of a diver in an ocean swell below a menacing sky stands out this month for its emotional and elemental beauty. It is a reminder that while we may play among nature we are always dwarfed by its power and must be constantly on our guard”. (Photo by Simon Dunn/The Guardian)

A plane passes the Full moon as it rises over Albert Bridge on February 7, 2012 in London, England. Albert Bridge is said to be one of the most romantic bridges in London, and will be the start point for the flotilla of boats that will make their way along the Thames as part of the Queen's Diamond Jubilee celebration. (Photo by Dan Kitwood/Getty Images)

This month’s selection of travel imagery mixes quiet moments and superlative views. The overall 2018 prize is a West Greenland trip with Wild Photography Holidays. Here: “This was taken on a safari in Kruger national park, South Africa. The scene was like something straight out of a storybook: a wild baboon, impala and elephant crossing the road together, all lined up neatly in a row”. (Photo by Will Clarke/The Guardian)

An incredible moon rise behind the World Trade Center, Manhattan, New York on August 23, 2016. The breath-taking photo was taken by photographer Jennifer Khordi. She said: it was just absolutely amazing to see this. (Photo by Jennifer Khordi/Caters News Agency)

Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)