The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

In this aerial view the officers' building and an auditorium stand at the former Soviet military base on January 26, 2017 in Wuensdorf, Germany. Wuensdorf, once called “The Forbidden City”, was the biggest base for the Soviet armed forces in communist East Germany from 1945 until the last Soviet troops left in the early 1990s following the end of the Cold War and the reunification of Germany. (Photo by Sean Gallup/Getty Images)

A boy moves away as a United Nations World Food Programme (WFP) helicopter lands in Rubkuai village, Unity State, northern South Sudan, February 18, 2017. South Sudan on Monday declared famine in some parts of the country, with more than three years of war leaving nearly five million hungry in what aid groups called a “man-made” tragedy. (Photo by Siegfried Modola/Reuters)

Afghan protesters beat a policeman after a suicide attack that targeted crowds of minority Shiite Hazaras during a demonstration at the Deh Mazang Circle of Kabul on July 23, 2016. Islamic State jihadists claimed responsibility for twin explosions July 23 that ripped through crowds of Shiite Hazaras in Kabul, killing at least 61 people and wounding 207 others in apparently their deadliest attack in the Afghan capital. The bombings during a huge protest over a power transmission line could deepen sectarian divisions in a country well known for communal harmony despite decades of war. (Photo by Wakil Kohsar/AFP Photo)

Gymnast Ahmad al-Sawas performs gymnastic moves near damaged buildings in the rebel-held Bustan al-Qasr neighbourhood of Aleppo, Syria March 26, 2016. As Syrian gymnast Ahmad al-Sawas watched his country fall apart, his Olympic dream collapsed too. The last national champion before the fighting began, he knew that supporting the anti-government side in the five-year-old civil war would prevent him from being selected for the Rio Games. (Photo by Abdalrhman Ismail/Reuters)

The Wadi al-Salam cemetery, Arabic for “Peace Valley”, is seen in Najaf, south of Baghdad, Iraq August 3, 2016. The world's largest cemetery, in Iraq's Shi'ite holy city of Najaf, is expanding at double its usual rate as Shi'ite militias bury their dead from the war against Islamic State. The Wadi al-Salam cemetery, Arabic for “Peace Valley” has a special place in the hearts of Shi'ite Muslims as it surrounds the Mausoleum of their first imam, Ali Bin Abi Talib, a cousin and son-in-law of Prophet Mohammad. (Photo by Alaa Al-Marjani/Reuters)

The expertly colourised shots were brought to life by French bank technician, Frédéric Duriez (51). The images were provided by the Valois collection which belongs to the BDIC. “By colourising these photos, I reduce the time that separates us today from this conflict”, said Frédéric. Here: Car cannon sections in firing position, Auxi-le-Château. (Photo by Frédéric Duriez/BDIC/Mediadrumworld.com)

Ukrainian artist Dariya Marchenko works on a portrait of Russian President Vladimir Putin named “The Face of War” which is made out of 5,000 cartridges brought from the frontline in eastern Ukraine, in Kiev, July 23, 2015. The portrait will be presented along with a novel which will tell personal stories of six people involved in this project including Daria's own story and stories of people who helped her to collect shells from the frontline. Daria Marchenko calls her art approach philosophic symbolism where every element has its hidden meaning. In her works cartridges mean human's life that was brutally ended. (Photo by Gleb Garanich/Reuters)