Employees wear "No-Face" masks during working hours at a service company in Handan, Hebei Province of China. As a service company, staff must smile to customers every day. On “No-Face Day”, staff wore masks to hide their facial expressions and allow them to relax. No-Face is a character in the 2001 animated movie “Spirited Away”, a silent masked creature who has no facial expressions.

Australian craftsman Moerkey, also known as Michael Moerkerk, recycles discarded keys and transforms them into unique works of art. It all started when he was supposed to be cleaning out his shed and he came across some old copper pipe. He then cut it into rings and began honing a technique that lead to the creation of decorative spheres, bowls, figures, and more.

Renowned amphibian and reptile photographer Matthijs Kuijpers has released his first book, “Cold Instinct”. Kuijpers says the aim of the work is “for the viewer to abandon the fear and negative thoughts that often surround these animals”. What’s left is the bizarre beauty of these creatures in their simplest form – no backgrounds and no distractions. Here: Mossy frog (Theloderma corticale). (Photo by Matthijs Kuijpers/The Guardian)

This 2014 series Shanghai Tian Wa saw Chinese photographer Liu Tao train his lens on two distinct districts in Shanghai. Here: “Shanghai Tian Wai №26, 2014”. (Photo by Liu Tao/The Guardian)

These images are enough to make viewers do a double-take. Although they look like vibrant works of abstract art, they are actually drone photographs taken by brothers J.P. and Mike Andrews, from near Wolverhampton, England. Here: Kickflip. (Photo by J.P. Andrews/Mike Andrews/Caters News Agency)

Martin Rietze is a “volcano-chaser”, a particular breed of photographer who takes big risks for big shots. He was able to capture destructive and beautiful forces of nature at work on a trip to Japan in February 2013. His photos show the Sakurajima Volcano, an active volcanic who's record-breaking 1914 eruption sent lava flows across the island. (Photo by Martin Rietze/Guzelian)

“In 1967, Zhang Yaxin was 34 and working as a photojournalist at China’s state-controlled Xinhua News Agency when he was assigned to a top-secret government project. He was to be the official photographer of a new arts program led by Chairman Mao and his wife – the Model Operas. Though he was not to know it then, Zhang would spend the next seven years documenting the evolution of one of the most dramatic and elaborate attempts to redefine artistic sensibilities in modern art history”. – Chengcheng Jiang via TIME. Photo: Raid on the White Tiger Regiment, 1971. (Photo by Zhang Yaxin/Courtesy See+ Gallery, Beijing)