A seagull looks on as the Italian three-color special air force acrobatic team “Frecce Tricolori” flies over Rome and the Vatican Wednesday, June 2, 2021, as Italy celebrates the anniversary of its unification. (Photo by Andrew Medichini/AP Photo)

Haitians dressed in costumes dance during the Haitian National Carnival in Jacmel, Haiti, 19 February 2017. Locals and foreigners gathered to enjoy the colorful carnival in which parades are full of art, music and dance. (Photo by Bahare Khodabande/EPA)

Images created with Post-it notes are seen in the windows of offices at 75 Varick Street in lower Manhattan, New York, U.S., May 18, 2016, where advertising agencies and other companies have started what is being called a “Post-it note art war” with employees creating colorful images in their windows with Post-it notes. (Photo by Mike Segar/Reuters)

In this Wednesday, November 15, 2012 file photo, a young girl in her colorful dress reaches out to greet a Pakistani policeman securing the road outside Kainat Riaz's home in Mingora, Swat Valley, Pakistan. (Photo by Anja Niedringhaus/AP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.