Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

A man falls from an ox cart as he competes during an ox cart competition near U Bein bridge, in Mandalay March 22, 2015. (Photo by Soe Zeya Tun/Reuters)

Hedi Xandt imagines impressive sculptures. Mixing styles and materials with talent, the artist invites us to discover his dark and intense universe.

Samurai commiting seppuku (hara-kiri) in Japan, circa 1880. (Photo by adoc-photos/Corbis via Getty Images)

Members of the Apollo Rainbow Dancers stretch out in special A train late on May 4, 1985, in New York. The legendary Apollo Theatre celebrated its 50th anniversary in an official reopening after a 15 month refurbishing with a celebrity studded evening. (Photo by Ray Stubblebine/AP Photo)

Seehund “Bruno” looks out of his transport box before making his way to the water on the beach of the island of Juist, Germany on August 14, 2013. Four young seals were released after six weeks of recovery at a rescue station in Norden-Norddeich. (Photo by Carmen Jaspersen/AFP Photo/DPA)

A representative of Makinarium production, specialized in special visual effects, displays a latex mask for horror movie on a stand inside the Festival Palace during the 69th Cannes Film Festival in Cannes, France, May 14, 2016. (Photo by Regis Duvignau/Reuters)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)