Coca-cola mini kiosks by ogilvy & mather Berlin promote tiny coke cans. To promote the launch of its tiny coke cans, coca-cola and advertising agency ogilvy & mather berlin deployed and installed a series of miniature kiosks throughout five different major cities in Germany.

Skoda caused a huge stir with its car made out of cake. The advert features an army of bakers creating a Fabia out of an array of tasty baked treats, while Julie Andrews sings about her favourite things in the background. The chassis is built from huge slabs of sponge cake. Its paintwork is marzipan. Golden Syrup lubricates the engine. And the roof is finished with sugar.

Photographer Howard Schatz had an idea: place actors in a series of roles and dramatic situations to reveal the essence of their characters. Such was the premise behind his book, In Character: Actors Acting, which captures some of Hollywood’s most emotive stars in the act of, well, making faces. Luckily for us, he continued the tradition for Vanity Fair. Here are some of the best.

Tomomi Ota pushes a trolley loaded with her humanoid robot Pepper as she crosses a street in Omotesando shopping district in Tokyo, Japan, 24 March 2016. Telecommunications and mobile phone carrier SoftBank Corp. opened a robot-staffed store where 10 Pepper humanoid robots welcome customers looking to buy a mobile phone. The store will be opened until 30 March 2016. (Photo by Franck Robichon/EPA)

A model presents a creation by Japanese lingerie brand Peach John from its Autumn/Winter 2016 collection during Tokyo Fashion Week in Tokyo, Japan, March 15, 2016. (Photo by Toru Hanai/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.