An opposition supporter gestures with a knife during clashes with police in Kibera slum in Nairobi, Kenya on October 26, 2017. Kenyans trickled into polling stations today for a repeat election that has polarised the nation, amid sporadic clashes as supporters of opposition leader ignored his call to stay away and tried to block voting. (Photo by Goran Tomasevic/Reuters)

Members of the Indonesian Presidential Security Forces (Paspampres) show their skills during the simulation of a terrorist attack in Jakarta, Indonesia, 29 December 2016. According to reports in local media the Indonesian security forces have already arrested 21 terrorists suspects and fatally shot five of them, who were allegedly planning attacks in the Indonesian capital during the Christmas and New Year's Eve celebrations this year. The presentation was shown on the occasion of a visit by Indonesian President Joko Widodo and a delegation to the Paspampres headquarters in Jakarta. (Photo by Bagus Indahono/EPA)

A painting of a Trabant car bursting through a wall in post unification Berlin, August 1993. (Photo by Steve Eason/Hulton Archive/Getty Images)

Two dummy tanks being pushed along a road by German soldiers. (Photo by Hulton Archive/Getty Images). Circa 1925

Dutch collaborators under arrest at Nijmegan, Holland. They were rounded up after the capture of Nijmegan Bridge by the Allies. (Photo by H. Warhurst/PNA Rota/Getty Images). 1945

Nine-year-old Barry Miller appears none too impressed with the movements of an African Rock Python which is exploring his scalp. (Photo by Keystone/Getty Images). 27th August 1961

“APOPO’s Training Center, situated on Sokoine Univeristy of Agriculture (SUA) in Tanzania, was established in 2000 to accommodate training and testing of mine detection rats in near-to-real conditions”. – APOPO

Photo: MDR (Mine Detection Rat) learn to look for mines. (Photo by APOPO's HeroRATs)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)