Russian artist Oleg Kulik installs the wax figure resembling to Russian tennis star Anna Kournikova at his new exhibition project in Moscow on October 19, 2002. Kulik plans soon to fill his museum with figures of strong and beautiful women like Bjork and Madonna in unexpected poses. (Photo by Alexander Natruskin/Reuters)

Lin Yufei and Gao Zijian of China perform in the gala exhibition on day three of the ISU Grand Prix of Figure Skating Cup of China at Huaxi Sports Center on November 8, 2020 in Chongqing, China. (Photo by Carlos Garcia Rawlins/Reuters)

Models display an Autumn-Winter 2021/2022 collection creation by Andres Sarda lingerie brand during a fashion parade on the opening day of 73th Mercedes-Benz Fashion Week Madrid, at IFEMA Convention and Exhibition Center, in Madrid, Spain, 08 April 2021. (Photo by Mariscal/EPA/EFE)

Visitors browse in the starry Art Museum. Shanghai, China, May 13, 2020. The exhibition hall uses a large number of mirror devices, combined with the layout of acousto-optic, to create a visual scene and spatial effect. (Photo by Costfoto/Barcroft Media via Getty Images)

People attend a master class in Latin American dances on the deck outside No 84 Pavilion in VDNKh Exhibition Centre in Moscow, Russia on July 4, 2020. The event opens this year's season of outdoor dancing in VDNKh. (Photo by Artyom Geodakyan/TASS)

Italy's Sofia Raffaeli competes in the individual all-around final during the Rhythmic Gymnastics World Championships at the West Japan General Exhibition Centre in Kitakyushu, Fukuoka prefecture on October 30, 2021. (Photo by Charly Triballeau/AFP Photo)

An art wall painting representing performance artist Marina Abramovic by Italian artist Maurizio Cattellan to publicize his upcoming exhibition The Artist is Present, in Shanghai, China, is displayed on a facade of a building, in Milan, Italy, Wednesday, September 19, 2018. (Photo by Luca Bruno/AP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)