Dancers perform on stage during the Crazy Horse Paris “Forever Crazy” Media Call at The MasterCard Theatres at Marina Bay Sands on October 11, 2017 in Singapore. Forever Crazy consists of a series of highly aesthetic and visual tableaus presented by a classically trained dancers clad only in textured lighting and projection. The show runs from 11 October 2017 till 22 October 2017 in Singapore. (Photo by Suhaimi Abdullah/Getty Images)

Barrier tape is tied around 15-month-old Shivani's ankle to prevent her from running away, while her mother Sarta Kalara works at a construction site nearby, in Ahmedabad, India, April 19, 2016. Kalara says she has no option but to tether her daughter Shivani to a stone despite her crying, while she and her husband work for 250 rupees ($3.8) each a shift digging holes for electricity cables in the city of Ahmedabad. There are about 40 million construction workers in India, at least one in five of them women, and the majority poor migrants who shift from site to site, building infrastructure for India's booming cities. Across the country it is not uncommon to see young children rolling in the sand and mud as their parents carry bricks or dig for new roads or luxury houses. (Photo by Amit Dave/Reuters)

Takeoka Chisaka, Hiroshima, Japan. “One morning in August 1945, I was walking home from the night shift at a factory in Hiroshima. As I reached my door, there was a huge explosion. When I came to, my head was bleeding and I had been blasted 30m away. The atomic bomb had detonated. When I found my mother, her eyes were badly burned. A doctor said they had to come out, but he didn’t have the proper tools so used a knife instead. It was hellish. I became a peace-worker after the war. In the 1960s, at a meeting at the UN, I met one of the people who created the atomic bomb. He apologised”. (Photo and caption by Sasha Maslov)

Cristine Angelie Garcia (C), 24, rides a jeepney on her way to work at a call centre for the midnight shift in Taguig city, Metro Manila, Philippines October 3, 2016. “Maybe there is another way where people do not need to die”, she said, adding she felt safer walking the streets at night. “I'm on Duterte's side. Maybe he's just misunderstood because he grew up on the streets”. (Photo by Ezra Acayan/Reuters)

A picture made with a tilt-shift lens shows “Dwarf Empire” cast member 19-year-old Han Zhen Yan posing in her fairy costume backstage outside one of the fairy tale-like houses at the Dwarf Empire theme park outside Kunming, China's Yunnan province, 04 April 2013. The Dwarf Empire theme park opened in mid-2009, employing a number of dwarves to create the show. Depending on what type of job they do at the park, employees earn between 800-2,000 CNY (100-250 Euros) per month, most of which goes towards their savings as lodging is provided, and their living quarters are equipped with kitchens where they prepare their own meals. (Photo by Diego Azubel/EPA)

Filipino firemen extinguish a burning vehicle during an earthquake preparedness drill in Makati city, south of Manila, Philippines, 22 June 2016. Thousands of people participated in the Metro Manila earthquake drill to prepare residents of nearly 12 million for a feared magnitude-7.2 quake that could kill thousands and displace millions, Emerson Carlos head of the Metropolitan Manila Development Authority (MMDA) said. Philippines sits on the Pacific Ring of Fire, an area prone to seismic shifts that spark earthquakes and volcanic activity. (Photo by Francis R. Malasig/EPA)

Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)